Monday, April 22, 2013

Project X – Mini Review

Directed by Nima Nourizadeh
Produced by Todd Phillips
Screenplay by Matt Drake & Michael Bacall

Starring
Thomas Mann
Oliver Cooper
Jonathan Daniel Brown

Cinematography by Ken Seng
Editing by Jeff Groth

Release date: March 2, 2012


Summary: Three friends throw a birthday party to make a name for themselves and as the night progresses it spirals out of control.


Mini Review: Despite one flaming ludicrous moment this was a totally, totally fun movie! Filmmaker note: Really great hand held camera work and editing!

I have to give props to director cinematographer Ken Seng, the 40 people listed as "Camera & Electrical" department and editor Jeff Groth.

Principal photography was scheduled to begin on June 14, 2010, in Los Angeles, California on a budget of $12 million. Filming took place over twenty-five nights between 5pm and 5am on the Warner Ranch in Burbank, California. The set contained a faux residential area featuring multiple houses.  
The production decided to film on a set because locating a real neighborhood that could be effectively closed off and which would allow filming throughout the evening and early morning proved difficult. Phillips explained that using a real neighborhood would have also proven difficult because of the fire damage required for the film. Much of the set was destroyed as part of filming. The film was largely shot in chronological sequence as repairing the set damage from a later scene to film an earlier one would have been difficult. Mann described the filming as a "party atmosphere", with New York disc jockey Jesse Marco on set performing music even when the cameras stopped rolling to maintain the energy of the cast and extras. Many of the same extras were brought back for multiple nights of filming, and would continue to party between scenes. Periodic takes of up to 20 minutes were made of just extras dancing. During filming, Burbank police were called to the set concerning noise complaints made by nearby residents. 
Project X was filmed in cinéma vérité style, only displaying the events of the film through the first-person view of the cameraman observing the party, to create the effect of the audience being in attendance at the out of control party. Director Nima Nourizadeh stated that the style allowed the film to seem "real" and "show some of the realities of what kids do".
Cinematographer Ken Seng and Nourizadeh tested twelve different camera systems before choosing the digital-HD Sony F23 video camera, basing their decision on its ability to handle sudden extreme changes in lighting due to natural daylight and strobe lights.  
The film is primarily presented from the perspective of the character Dax and his camera, but Nourizadeh also obtained footage by providing the cast and extras with recording devices such as BlackBerrys and iPhones to capture events occurring outside of the perspective or knowledge of the cameraman. This resulted in hours of unusable footage that had to be observed by Nourizadeh and his team to find segments that could be incorporated into the final film. Nourizadeh stated "when you have real material being shot by real people, it then kind of feels like it is. It is found footage. I hated spending 10 hours looking through bits of flip footage – people didn’t press stop, it’s like in their pockets. But yeah, it was great, man." Other footage was provided from fictional police and news cameras to give a different perspective on the events.—Wikipedia
"Project X was filmed on eight different camera systems. It’s a POV film told by the masses of people who attend the party, which gives it a totally unique point of view on the situation. We also really looked at how best to capture the size of this event and the level of destruction with our resources. For instance, how we could make 200 or so extras look like more than 1,000"
– Cinematographer Ken Seng on filming Project X.

See the full cast and crew of the film here

Commentary: I'm kinda tired of the "found footage" handheld camera movies, but this one was done really well. As you can imagine there was A LOT of stuff going on and the camera crew did a great job at capturing it.

RELATED
A good related article Found Footage Films Need To Stay Hidden

Tuesday, April 9, 2013

Childhood in New York

Actuated by the tweet below and their hashtag I went on a "Twitter Rant" about my own #ChildhoodInNY

New York Subway train in the late 70's/early 80's





Late 70's/early 80's graffitti covered subway train



Wednesday, April 3, 2013

Victory with Notorious B.I.G. and some cat named Puff Daddy

Actually the song is "Victory" is a song by Puff Daddy (Now known as "Diddy") that features The Notorious B.I.G. and Busta Rhymes.  The song Produced by Sean "Puff Daddy/Diddy" Combs and Steven "Stevie J" Jordan also heavily sampled the Bill Conti song "Going the Distance", which featured on the soundtrack to the movie Rocky.

Victory on my iPhone
I’ve always loved this song and listening to gets me HYPED! Jay-Z is said to listen to "Victory," before he takes the stage in huge arenas and I can see why it’s that type of song.

The whole song is great, but I guess as it should be it's actually Puffy's verse that sets the song OFF. His delivery isn't spectacular, but the lyrics coupled with Biggie’s ad libs and the rising horns set that shit OFF!
Puffy’s verse:
Yo, the sun don't shine forever
But as long as it's here then we might as well shine together
Better now than never, business before pleasure
P-Diddy and the Fam, who you know do it better?
Yeah right, no matter what, we air tight
So when you hear somethin, make sure you hear it right
Don't make a ass outta yourself, by assumin
Our music keeps you movin, what are you provin?
You know that I'm two levels above you baby
Hug me baby, I'ma make you love me baby
Talkin crazy ain't gonna get you nuthin but choked
And that jealousy is only gonna leave you broke
So the only thing left now is God for these cats
And BIG you know you too hard for these cats
I'm a wing cause I'm too smart for these cats
While they makin up facts you rakin up plats
This song is all the more poignant because this is one of the last songs that Biggie ever recorded for. Below is an excerpt from my review of the book Unbelievable: The Life, Death, and Afterlife of the Notorious B.I.G. 

  • Page 239 of 368 of Unbelievable: The Life, Death, and Afterlife of the Notorious B.I.G. 
Chapter 8: 'You're Nobody Till Somebody Kills You'. 

The chapter just stated how the last things Biggie recorded were the guest verses on 'Victory' and 'All About The Benjamins' IMO some the illest rhymes he EVER spit. THIS page starts recounting that fateful night @ the Petersen Automotive Museum. 
— Nov 27, 2011 04:15am 

RELATED
My review of the Biggie BioPic Notorious here

My review of the Biggie biography Unbelievable: The Life, Death, and Afterlife of the Notorious B.I.G. here

Tuesday, April 2, 2013

Why I'm Probably Through With 'The Walking Dead'

March 2016 update at the bottom! 
Season Three cast of The Walking Dead

Watching it LIVE throughout the season that is. I watched Season Three of The Walking Dead in binges. I watched each Premiere and Finale (Season and Mid-Season) LIVE, but the other episodes I watched maybe two to three at a time and I’m glad I did because the season wasn’t that great.

Michonne (left) and The Governor (right)
The first half of the season the two big main characters The Governor and Michonne were a yawn. The Mid-Season Finale brought out the best of both characters and both got better in the second half of the season. Especially Michonne. The Governor was crazy, but not as menacing as I thought he would be. In the second half of the season Michonne finally got some character development and did more than scowl. In fact I agree with this quote below.
The fleeting glimpse of Michonne in the Season 2 finale had longtime TWD fans (myself included) thrilled that everyone's favorite katana-wielding badass would finally make her entrance onto the show. Though the television Michonne is everything we would expect on the surface -- she is a master chef with the katanas and looks pretty much the same as she did in the comics -- her character has been woefully underwritten. Though Danai Gurira has mastered the art of the silent scowl, Michonne's lack of personality beyond "I'm a loner and could stab you at any moment" has held us back from truly caring about her long-term safety. In the comics, we were treated to a world of backstory. We knew about Michonne's 'pets'. She revealed gradually herself -- though perhaps sparingly -- so that she was more than simply a one-woman terminator, but a character whose past drove her, with deep sorrow that made us root for her as a person, not just a human ginsu. It's one thing to slowly dole out a character's motivations in order to heighten tension and keep things a mystery, but too often Michonne acts like a dope in order to preserve this 'mystique' (like following Merle into a Walker-infested part of the prison just a few episodes after he led a band of governor-appointed redshirts to murder her in the woods, then making no attempt whatsoever to escape). Jason Pinter, The Huffington Post
The Governor? The whole season Merle was more menacing to me than The Governor.

Merle
Crazy Rick was Boring Rick. They went a little too long with that storyline. To me these lulls in the storylines are directly attributable to the behind the scenes shuffle.

The first season writing staff consisted of series developer and executive producer Frank Darabont, who wrote/co-wrote four of the six episodes; executive producer Charles H. Eglee; executive producer and creator of the comic book, Robert Kirkman; co-executive producer Jack LoGiudice; consulting producer Adam Fierro; and Glen Mazzara; who all contributed to one episode each.

In July 2011, series developer and showrunner Frank Darabont stepped down from his position as showrunner for the series.It was believed that he was unable to adjust to the schedule of running a television series. However, The Hollywood Reporter reported he had been fired over disputes over planned budget cuts and executive meddling. Executive producer Glen Mazzara was then appointed the new showrunner.

After the conclusion of the third season, Glen Mazzara will step down from his position as showrunner and executive producer for the series, in a mutual agreement by both Mazzara and AMC. The press release read, "Both parties acknowledge that there is a difference of opinion about where the show should go moving forward, and conclude that it is best to part ways."Scott Gimple will succeed Mazzara as showrunner for season four,with new writers joining the writing staff, such as Curtis Gwinn, Channing Powell, and Matt Negrete.

So the scorecard is 
Frank Darabont left after Season One during the development of Season Two

Glen Mazzara was then appointed the new showrunner during Season Two and did so all of Season Three then stepped down.

Season Four will have Scott Gimple as the showrunner.


I got Season One for Christmas and rewatched it. At only six episodes and under the direction of Frank Darabont the first season was great!

Season Two, after Darabont left, was mostly a snooze (I went into more detail here) and only seem to gain traction in the very last episodes (I surmise after the new showrunner Glen Mazzara finally gained traction himself)

Season Three had the addition of great characters, but took way too long to develop them. Speculation is that the network (AMC) recognized this and forced Glen Mazzara out. That’s only speculation though.

Season Four we haven’t seen yet, but the show has been all over the place because the people who control it have been all over the place.

Unless this new showrunner Scott Gimple is some outstanding wunderkind I don’t see how the show can possibly get better. I think it will continue to be ok and for that I can watch in a season long binge like I have watched other series like Dexter and Homeland in season binges and I hold them in much higher regard than The Walking Dead.

Not a knock on Gimple's abilities, but for such a popular show to be on its third showrunner in four years makes you wonder about its long-term stewardship.
Jason Pinter, The Huffington Post


Some info from Wikipedia.

ADDITIONAL

The Huffington Post
The Walking Dead Season 3 Finale: 5 Reasons Why It Fell Flat With Fans



MARCH 31, 2016
As we are approaching the Season Six Finale in three days (April 3, 2016) I have to say much credit to Executive Producer Scott Gimple who took over in Season Four (S4) and despite the torrid "super flu" storyline that inhabited the first half of S4 where it seemed like Gimple was trying to gain his footing, the show FINALLY got into its groove near the end of Season 4. 

While like every television show there are some "filler" episodes that are a yawn, Seasons Five and Six show that Gimple and the rest of the writers have finally caught their groove and I'm reall looking forward to the Season Six Finale.


Friday, March 22, 2013

R.I.P. Chinua Achebe


Novelist Chinua Achebe dies, aged 82

Nigerian author recognised for key role in developing African literature has died in Boston, where he was working as a professor
By Alison Flood
guardian.co.uk, 
Friday 22 March 2013

Chinua Achebe, the Nigerian novelist seen by millions as the father of African literature, has died at the age of 82.


African papers were reporting his death following an illness and hospital stay in Boston this morning, and both his agent and his publisher later confirmed the news to the Guardian.


Simon Winder, publishing director at Penguin, called him an "utterly remarkable man".


"Chinua Achebe is the greatest of African writers and we are all desolate to hear of his death," he said.


In a statement, Achebe's family requested privacy, and paid tribute to "one of the great literary voices of all time. He was also a beloved husband, father, uncle and grandfather, whose wisdom and courage are an inspiration to all who knew him."


A novelist, poet and essayist, Achebe was perhaps best known for his 1958 novel Things Fall Apart, the story of the Igbo warrior Okonkwo and the colonial era, which has sold more than 10m copies around the world and has been published in 50 languages. Achebe depicts an Igbo village as the white men arrive at the end of the 19th century, taking its title from the WB Yeats poem, which continues: "Things fall apart; the centre cannot hold."


"The white man is very clever. He came quietly and peaceably with his religion. We were amused at his foolishness and allowed him to stay. Now he has won our brothers and our clan can no longer act like one," says Okonkwo's friend, Obierika, in the novel.


The poet Jackie Kay hailed Achebe as "the grandfather of African fiction" who "lit up a path for many others", adding that she had reread Things Fall Apart "countless times".


"It is a book that keeps changing with the times as he did," she said.


Achebe won the Commonwealth poetry prize for his collection Christmas in Biafra, was a finalist for the 1987 Booker prize for his novel Anthills of the Savannah, and in 2007 won the Man Booker international prize. Chair of the judges on that occasion, Elaine Showalter, said he had "inaugurated the modern African novel", while her fellow judge, the South African Nobel laureate Nadine Gordimer, said his fiction was "an original synthesis of the psychological novel, the Joycean stream of consciousness, the postmodern breaking of sequence", and that Achebe was "a joy and an illumination to read".


Nelson Mandela, meanwhile, has said that Achebe "brought Africa to the rest of the world" and called him "the writer in whose company the prison walls came down".


The author is also known for the influential essay An Image of Africa: Racism in Conrad's Heart of Darkness (1975), a hard-hitting critique of Conrad in which he says the author turned the African continent into "a metaphysical battlefield devoid of all recognisable humanity, into which the wandering European enters at his peril", asking: "Can nobody see the preposterous and perverse arrogance in thus reducing Africa to the role of props for the break-up of one petty European mind?"


According to Brown University, where Achebe held the position of David and Marianna Fisher university professor and professor of Africana studies until his death, this essay "is recognised as one of the most generative interventions on Conrad; and one that opened the social study of literary texts, particularly the impact of power relations on 20th-century literary imagination".


From USA Today

Chinua Achebe: Chinua Achebe has died. The author was known for his widely read book Things Fall Apart and other works which helped to bridge culture gaps and popularize African literature. "If you don't like someone's story, write your own," he said in an interview with The Paris Review. And watch a remembrance in this clip from the BBC: "He was an African hero... some people say he's the Nobel Prize literature winner Nigeria never had. That's how big he was."


COMMENTARY

I was going to write something new, but then I realized I said it before in my review of his book below.

Things Fall ApartThings Fall Apart by Chinua Achebe
My rating: 5 of 5 stars

Another one of my required readings for Humanities as part of my undergrad, but I have to admit I only skimmed through it to past the test. Yeah I can admit that…now.

Actually post graduation is when I actually read the book from cover to cover and WOW was it excellent. I thought I WOULD LOVE to make a movie out of this. Even in my new-sprung eagerness to strike out with my degree in film…I knew I could never find funding for something like this.

Maybe one day…,but until then you can read this amazing book.


View all my reviews

Thursday, February 21, 2013

This Is The Life

Had a dope dream this morning.

I was chilling in a club in Brooklyn with Jay-Z. Not his club, some "hole in the
wall", you know the kind with black floors, black walls, black ceilings—yeah all
black everything. What we were talking about I don't know. All of a sudden a hip
hop song comes on and Hov starts rapping along. Right then L.L. Cool J walks in
with one of those airbrushed shirts on with his face on it. He comes over to me
and says what's up, like he seen me from around the way, and gives me a pound.

L.L. goes over to the other side of the club and I'm still trying to figure out
what this song Jay-Z is rapping to, I pull out my iPhone and uses this program
that listens to a song and tell you what it is and who it's by. The song that
pops up is called THIS IS THE LIFE. Yes I can read in my dreams.

Well I wake up like right after that and I think THAT has to mean something. So
I grab...my iPhone and does an Internet search. Nada. Not a hip hop song anyway.
So I search "This is the Life hip hop" and come up with this doc by one of
My recent favorite directors Ava DuVernay. (This Is the Life (2008):
http://www.imdb.com/title/tt1178658/) WTF?!

Anyway, we can't control our dreams, but grandma has always taught me that
dreams meant something, I just wished I knew what this was.

Wednesday, February 13, 2013

Well I Lost the Rights to that John Grisham Book

Actually I never HAD the rights, but I was hoping. I thought interest in adaptating John Grisham books had died down. His last book that was adapted for the screen was 2004’s comedy, Christmas with the Kranks. Yeah I hardly heard of it too.

I’ve been a John Grisham fan like forever and as I have read more books penned by him I guess you can call him my favorite author. When I read his newest book and it had a black protagonist (a first as far as I know) I thought it would be really cool if a long time fan would be able to adapt this book…in five years or so. Well time waits for no man and neither did this book. LOL.

The book I speak of is his 2012 book The Racketeer. According to this morning’s The Hollywood Reporter,
Daniel Espinosa, who helmed Universal's hit "Safe House," is developing the adaptation as a directing vehicle. 
Fox 2000 and New Regency are teaming up to adapt The Racketeer, the latest novel from John Grisham. 
Double Feature Films, the shingle run by Michael Shamberg and Stacey Sher, is on board to produce the adaptation, which also has Daniel Espinosa developing the project as a directing vehicle. Espinosa will exec produce with his manager and producing partner Shelley Browning.
Racketeer sees a federal judge murdered at a lakeside cabin and the contents of his safe emptied. The only man who knows the whos and whys is a former attorney serving time in federal prison who hopes to parlay that into getting revenge on the people who put him there. 
The book hit shelves in October with an initial printing of 1.5 million copies. It hit No. 1 on both The New York Times and USA Today best-seller charts and has been on the lists since its release.
Now just because they own the rights as of now still does not mean that the film would get made. Sometimes these things wind up in “development hell” and the owner relinquishes the right to the book because they can't quite get the movie made. Here’s hoping.

Related
My review of The Racketeer